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Negrul care nu este negru, compozi\u0163ii reale sau imaginare, lumini \u015fi umbre, totul este un univers cromatic. Culoarea acromatic\u0103 dominant\u0103 este prima culoare folosit\u0103 de artisti \u00een picturile rupestre neolitice. Luna mai este denumit\u0103 popular \u201eflorar\u201d\u00a0 gazda aromelor, a culorilor, a rena\u015fterii.<\/span><\/p>\n Simbol al vie\u0163ii \u015fi al mor\u0163ii, al bucuriei \u015fi al triste\u0163ii, florile ne \u00eenso\u0163esc pretutindeni. Este un element mistic c\u0103l\u0103uzitor, c\u0103ruia nu-i con\u015ftientiz\u0103m importan\u0163a dec\u00e2t prin asocierea sa cu spa\u021biul sacru sau profan. Iat\u0103 cum floarea- personaj principal \u00een compozi\u0163iile Emiliei Marinescu are atribute individuale \u015fi define\u015fte simultan dualitatea extremelor. Scenografia contrastelor este definit\u0103 vizual \u00een aceast\u0103 gradin\u0103 personificat\u0103 \u015fi identificat\u0103 \u00een cele 22 de tablouri ale seriei\u00a0 \u201eNoir\u201d.<\/span><\/p>\n T\u00e2n\u0103ra artist\u0103 Emilia Marinescu de\u0163ine o forma\u0163ie educa\u0163ional\u0103 complex\u0103, asem\u0103n\u0103toare vechilor \u015fi renumitelor \u015fcoli rom\u00e2ne\u015fti interbelice: studii complete \u00een domeniul juridic, cel economic \u015fi al artelor plastice, de altfel marea ei pasiune.<\/span><\/p>\n \u00cen pictura de \u015fevalet s-a instruit cu doi mari mae\u015ftri ai artei \u015fi pedagogiei artistice vizuale contemporane, Vladimir Zamfirescu \u015fi Horea Pa\u015ftina, \u00een principiu foarte diferi\u0163i ca viziune plastic\u0103, venind din cele dou\u0103 principale direc\u0163ii ale \u00eenv\u0103\u0163\u0103m\u00e2ntului de art\u0103 bucure\u015ftean \u2013 Corneliu Baba, respectiv Alexandru Ciucurencu.<\/span><\/p>\n Artista a \u015ftiut, cu \u00een\u0163elepciune \u015fi r\u0103bdare, s\u0103 deduc\u0103 \u015fi s\u0103 adopte de la fiecare ceea ce era mai valoros \u015fi, p\u00e2n\u0103 la urm\u0103, ceea ce i s-a potrivit cel mai mult, \u00eembin\u00e2nd tipurile de \u00eenv\u0103\u0163\u0103tur\u0103 \u00een folosul crea\u0163iei pe care o practic\u0103.<\/span><\/p>\n Emilia Marinescu s-a dedicat unei direc\u0163ii ale plasticii post-moderne dintre cele mai riscante, \u015fi anume reprezentarea de tip figurativ, acolo unde e nevoie de mult studiu, al desenului, al culorii \u015fi al exerci\u0163iului zilnic.<\/span><\/p>\n <\/p>\n Sponsor oficial: Enel Rom\u00e2nia<\/span><\/p>\n Sponsori: Aqua Carpatica, Domeniile S\u00e2mbure\u0219ti, BCR\u00a0<\/span><\/p>\n Parteneri: Phoenixmedia, Euromedia, Cocor, Pop Cola, Sansha\u00a0\u00a0<\/span><\/p>\n Parteneri media: Radio Rom\u00e2nia Cultural, Radio Rom\u00e2nia Muzical, RFI Rom\u00e2nia, Romantic FM, Radio Seven, Radio Itsy Bitsy, Rom\u00e2nia TV, Zile \u0219i Nop\u021bi, Agerpres, Spot Media, Ziarul Metropolis, News Bucure\u0219ti, Q Magazine, Marea Dragoste, Leviathan, Ordinea Zilei, Bucure\u0219ti Business, Reu\u0219ita.ro, 9am.ro., Kudika, Garbo, QuickNews, a7tv, Ballet Magazine, Mediatrust<\/span>[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row]<\/p>\n","protected":false},"excerpt":{"rendered":" [vc_row content_text_aligment=”left” simple_background_color=”#000000″][vc_column][vc_empty_space height=”64px”][\/vc_column][\/vc_row][vc_row simple_background_color=”#0a0a0a” css=”.vc_custom_1618990525639{padding-right: 50px !important;padding-left: 50px !important;}”][vc_column][vc_row_inner][vc_column_inner][vc_empty_space][vc_column_text]\u00cen an centenar, Opera Na\u021bional\u0103 Bucure\u0219ti g\u0103zduie\u0219te Expozi\u021bia \u201eNoir 22\u201d a tinerei pictori\u021bie Emilia Marinescu. Vernisajul expozi\u021biei va avea loc mar\u021bi, 17 mai 2022, ora 17:00, \u00een Foaierul Operei Na\u021bionale Bucure\u0219ti. Expozi\u021bia este deschis\u0103 publicului larg \u00een perioada 17 mai \u2013 30 mai 2022, la Opera Na\u0163ional\u0103 Bucure\u0219ti. Accesul […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":6228,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-6262","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/operanb.ro\/opera100\/wp-json\/wp\/v2\/pages\/6262","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/operanb.ro\/opera100\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/operanb.ro\/opera100\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/operanb.ro\/opera100\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/operanb.ro\/opera100\/wp-json\/wp\/v2\/comments?post=6262"}],"version-history":[{"count":1,"href":"https:\/\/operanb.ro\/opera100\/wp-json\/wp\/v2\/pages\/6262\/revisions"}],"predecessor-version":[{"id":6263,"href":"https:\/\/operanb.ro\/opera100\/wp-json\/wp\/v2\/pages\/6262\/revisions\/6263"}],"up":[{"embeddable":true,"href":"https:\/\/operanb.ro\/opera100\/wp-json\/wp\/v2\/pages\/6228"}],"wp:attachment":[{"href":"https:\/\/operanb.ro\/opera100\/wp-json\/wp\/v2\/media?parent=6262"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}